This final thesis elaborates on the manifestations of early medieval sculpture and applied arts spread on the area of Great Britain with specific emphasis on English territory. Due to the completely different historical circumstances, cultural and religional implications reaching back to inceptions of earliest instances of civilisation, early medieval art in England sharply differs from the contemporary instances on Croatian territory. Thereby, in my thesis, I decided to focus on artistic developments that had a somewhat minor role within the mandatory course. The pure interpretation of this subject as well as the historical context is preceeded by a brief overview on the uniqueness and specifity of Anglo-Saxon art, and on the issue why it frequently causes a great hardship for art historians. A brief chronological overview of historical context related to medieval England (starting from the Celtic era reaching to Norman invasions in 11th century), which is crucial for the interpretation and analysis for sculpture and artworks in general, follows the introductory chapter. The chapter is followed by a brief survey on the Anglo-Saxon historical sources and the analysis of the term ''Anglo-Saxon'' and what it refers to. After setting the basis for further examinations and providing a historical context, the ensuing chapter tackles the issue of the significance of early medieval art on the area of Great Britain (including all the manifestations of visual arts and culture such as sculpture, applied arts, architecture and illuminated manuscripts) and its significance. The thesis also elaborates on merging of Christian and Pagan motifs, as well as on implications of other cultures that were in contact with Britain, or, moreover, undertook invasions over Britain. The subject of self-standing individual sculptures with parallel iconographic or decorative instances on contemporary applied arts is elaborated on in succeeding chapter. The next section, briefly scrutinizes the mere funciton of sculptures, their importance in medieval society and their formal features. The chapter also tackles the issue of opposition between sacral and profane features. The emphasis is put on recurrent motifs occuring on mentioned examples as well as on the problem of attribution. After pointing out the importance of self-standing sculputre, the final thesis focuses on the architectural sculpture referring to churches, also with a specific emphasis on iconography and decorative motifs. The examples refer to capitals and portals. The same chapter also discusses the changes that the Anglo-Saxon sculpture underwent due to the contact with diverse cultures. At the end of the thesis, a brief conclusion elaborates on the particular devices of datation and attribution (and problems that occur along with it), influence that Anglo-Saxon exerted on nearby cultures and the preservation of English cultural heritage.