This thesis sets out to explore the role of parody in Samuel Beckett's Molloy. According to the Merriam-Webster dictionary parody is a literary or musical work in which the style of an author or work is closely imitated for comic effect or in ridicule. Parody can have a subversive role as well. The novel was written during the period of postmodernism. Molloy is written as a confessional first-person narrative. Many argue that Molloy is the perfect example of Beckett's black humor and despairing point of view. Also, many described Molloy as an example of usage of several literary devices that, later on, became distinctive features of Beckett's work. One of those literary devices is parody. Emphasis will be put on the influences on Beckett's work; deconstruction of the self and the Cartesian concept of mind and body dualism in Beckett's work. After providing a definition of parody this thesis will explore the links between parody and narration and focus on the postmodern techniques in the novel. A detailed analysis of parody, in the context of Beckett's novel, will be carried out. The main aim of this thesis is to provide an overview of the use of parody in Samuel Beckett's Molloy and prove that parody is one of its most essential constitutive parts which often has subversive meanings and establish Beckett as one of the most important postmodernist writers.