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Scientific paper - Original scientific paper
Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception
Filozofska istraživanja, 40 (2020), 4; 743. https://doi.org/10.21464/fi40405
Ružić, Boris

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Ružić, B. (2020). Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception. Filozofska istraživanja, 40. (4), 743. doi: 10.21464/fi40405

Ružić, Boris. "Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception." Filozofska istraživanja, vol. 40, no. 4, 2020, p. 743. https://doi.org/10.21464/fi40405

Ružić, Boris. "Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception." Filozofska istraživanja 40, no. 4 (2020): 743. https://doi.org/10.21464/fi40405

Ružić, B. (2020) 'Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception', Filozofska istraživanja, 40(4), p. 743. doi: 10.21464/fi40405

Ružić B. Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception. Filozofska istraživanja [Internet]. 2020 [cited 2024 November 17];40(4):743. doi: 10.21464/fi40405

B. Ružić, "Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception", Filozofska istraživanja, vol. 40, no. 4, p. 743, 2020. [Online]. Available at: https://urn.nsk.hr/urn:nbn:hr:186:120874. [Accessed: 17 November 2024]

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Metadata
Title (english)Capital and Capillary Image of Harun Farocki. Film Spectator between Production and Reception
Title (croatian)Kapitalna i kapilarna slika Haruna Farockija. Filmski gledatelj između proizvodnje i recepcije
AuthorBoris Ružić
Author's institutionUniversity of Rijeka
Faculty of Humanities and Social Sciences
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philosophy
Abstract (english)
This paper discusses two films by Harun Farocki – Ein Bild (1983) and Nicht löschbares Feuer (1969) – and relates them to the theoretical arguments of Mirzoeff’s counterhistory of visuality and Rancière’s emancipated spectator. The main thesis is that experimental, semantically unclear or incomplete image can be of purpose to the spectator in an epistemological sense. The paper suggests the use of notions capital image and capillary image for the purpose of understanding similarities and differences between historically divergent forms of image production. The research concludes by reiterating the possibility of spectatorial emancipation from the dominant image in strategies of showing the structure of production of the image on the screen. The work seen in the image becomes the work of the spectator in trying to demystify the homogeneity of its semantic codes.
Abstract (croatian)
Članak razmatra dva filma Haruna Farockija – Ein Bild (1983.) i Nicht löschbares Feuer (1969.) – te ih dovodi u vezu s teorijskim postavkama Mirzoeffove kontrapovijesti vizualnosti i Rancièreovim argumentima koji se tiču emancipiranog gledatelja. Temeljna je teza da eksperimentalna, semantički nejasna ili nedovršena slika može u epistemološkom smislu biti od vrijednosti gledatelju za političko djelovanje. Rad predlaže nazivlje kapitalna slika i kapilarna slika u svrhe ocrtavanja sličnosti i razlika među različitim oblicima proizvodnje slike. Istraživanje se zaključuje uvidom u emancipacijsku snagu filmske slike u trenucima kada se može vidjeti struktura proizvodnje same slike na ekranu. Objelodanjeni rad koji je sadržan u slici postaje rad gledatelja u demistifikaciji homogenosti njezinih značenjskih kodova.
Keywords (english)
Keywords (croatian)
Languageenglish
Languagecroatian
Publication typeScientific paper - Original scientific paper
Publication statusPublished
Peer reviewPeer review
Publication versionPublished version
Journal titleFilozofska istraživanja
Numberingvol. 40, no. 4, p. 743
p-ISSN0351-4706
e-ISSN1848-2309
DOIhttps://doi.org/10.21464/fi40405
URN:NBNurn:nbn:hr:186:120874
Publication2020
Document URLhttps://hrcak.srce.hr/251492
Type of resourceText
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2022-12-08 10:11:49