| Abstract | Svrha ovog rada je utvrditi što je cajka, te na koji način danas mladež promatra termin cajki, odnosno narodnu muziku čija povijest seže do davne 1925. godine kada su se na ratnim prostorima Balkana narodnim pjesmama bodrili vojnici i časnici. Razvojem tehnologije i društva razvio se turbofolk koji se pomno birao za glazbene produkcijske kuće za vrijeme Jugoslavije. Kroz miješanje narodnjačkih pjesama s različitim drugim žanrovima razvila se cijela kultura turbofolka koja je danas aktualna kako u Hrvatskoj među mladima, tako i na ostatku Balkana. Kroz provedene polustrukturirane intervjue i anketu u radu saznajemo što je mladima danas cajka i kako gledaju na takvu vrstu glazbe koja promovira vrlo specifične društvene vrijednosti: stereotipizaciju uloge i izgleda žena i muškarca, te motive „kafana“, alkohola i droge.
Za razliku od takvog sadržaja prisutnog u temama turbofolka, narodna glazba u svojim pjesmama sadrži elemente tradicionalnih društvenih i moralnih vrijednosti poput domovine, obitelji, ljubavi prema ženi i kraju i sl. Danas su države koje su sačinjavale Jugoslaviju samostalne, a jedna od stvari koja ih i dalje na neki način povezuje je upravo muzika, „cajke“. |
| Abstract (english) | The purpose of this paper is to determine what "cajka" is and how today's youth perceives the term cajki, referring to folk music whose history dates back to 1925, when, on the war – tor lands of the Balkans, folk songs were used to boost the morale of soldiers and officers. With the development of technology and society, turbofolk emerged, which was carefully selected for music production companies during Yugoslavia. By mixing of folk songs with different genres, an entire culture of turbofolk developed, which is still relevant today, both among young people in Croatia and in the rest of the Balkans. Through semi-structured interviews and a survey conducted in this paper, we learn what „cajka“ means to young people today and how they view this type of music, which promotes very specific social values: the stereotyping of the roles and appearance of men and women , as well as motifs of „kafana“, alcohol, and drugs.
In contrast to such content found in the themes of turbofolk, folk music contains elements of traditional social and moral values in its songs, such as homeland, family, love for women, and one's native land, etc. Today, the ex-Yugoslav states are independent, but one of the things that still connects them in some way is music, the "cajke". |
