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master's thesis
Funkcionalnost plesačkog tijela
2019. urn:nbn:hr:186:463322
Šikljan, Andrea
University of Rijeka
Faculty of Humanities and Social Sciences
Department of Cultural Studies

Cite this document

Šikljan, A. (2019). Funkcionalnost plesačkog tijela (Master's thesis). Rijeka: University of Rijeka, Faculty of Humanities and Social Sciences. Retrieved from https://urn.nsk.hr/urn:nbn:hr:186:463322

Šikljan, Andrea. "Funkcionalnost plesačkog tijela." Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, 2019. https://urn.nsk.hr/urn:nbn:hr:186:463322

Šikljan, Andrea. "Funkcionalnost plesačkog tijela." Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, 2019. https://urn.nsk.hr/urn:nbn:hr:186:463322

Šikljan, A. (2019). 'Funkcionalnost plesačkog tijela', Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, accessed 10 July 2024, https://urn.nsk.hr/urn:nbn:hr:186:463322

Šikljan A. Funkcionalnost plesačkog tijela [Master's thesis]. Rijeka: University of Rijeka, Faculty of Humanities and Social Sciences; 2019 [cited 2024 July 10] Available at: https://urn.nsk.hr/urn:nbn:hr:186:463322

A. Šikljan, "Funkcionalnost plesačkog tijela", Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, Rijeka, 2019. Available at: https://urn.nsk.hr/urn:nbn:hr:186:463322

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Metadata
TitleFunkcionalnost plesačkog tijela
Title (english)Functionality of Dancing Body
AuthorAndrea Šikljan
MentorBrigita Miloš (mentor)
Committee memberSarah Czerny (predsjednik povjerenstva)
Committee memberBrigita Miloš (član povjerenstva)
Committee memberDiana Grgurić (član povjerenstva)
GranterUniversity of Rijeka
Faculty of Humanities and Social Sciences
(Department of Cultural Studies)
Rijeka
Defense date and country2019-09-23, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Ethnology and Anthropology
Abstract
Ovaj rad koncipiran je na način da kroz plesnu praksu relativizira i redefinira društveno poimanje tjelesne (dis)funkcionalnosti, kako u plesnome svijetu, tako i u širem društvenom kontekstu. Odmičući se od plesačkog tijela kao idealizirane, istrenirane i savršeno oblikovane tjelesnosti koja se najčešće povezuje s baletom kao plesnim izričajem sa strogom formom i pravilima, analizirajući i istražujući inkluzivnu/integriranu plesnu scenu u kontekstu suvremenog plesa, ples se može sagledati kao iskustveni doživljaj, istraživanje, komunikacija, ekspresija i emocija. Samim time, svako se tijelo može poimati kao plesački sposobno nevisno o razini tjelesne (dis)funkcionalnosti. Budući na važnost plesa u društvu i umjetnosti te njegovog utjecaja na formiranje i dekonstruriranje individualnih i zajedničkih stavova i uvjerenja, ples postaje plodno tlo putem kojeg će se propitati i generalna percepcija i pozicioniranje tjelesne (dis)funkcionalnosti u društvu.
Abstract (english)
This thesis relativize and redefine the social understanding od physical functionality through dance practice, both in the dance world and in wider social context. Moving away from the dancing body as an idealized, trained and perfectly shaped physicality (most often associated with ballet as a dance with strict form and rules), analyzing and exploring inclusive/integrated dance scene in the context of contemporary dance, dance can be seen as experience, exploration, communication, expression and emotion. Therefore, every body is able to dance regardless of the level of physical functionality. Due to the fact that dance is important part of society and art, it can be valuable site for exploring general perception of physical functionality in society.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:186:463322
Study programmeTitle: Cultural Studies
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra kulturologije (magistar/magistra kulturologije)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2019-11-14 13:49:58