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Scientific paper - Original scientific paper
The Good Intense “Loves” the Bad Intense: Intensity and the Death Drive
Sic : časopis za književnost, kulturu i književno prevođenje, 9 (2019), 2; https://doi.org/10.15291/SIC/2.9.LC.1
Durić, Dejan; Matijašević, Željka

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Durić, D. & Matijašević, Ž. (2019). The Good Intense “Loves” the Bad Intense: Intensity and the Death Drive. Sic : časopis za književnost, kulturu i književno prevođenje, 9. (2). doi: 10.15291/SIC/2.9.LC.1

Durić, Dejan and Željka Matijašević. "The Good Intense “Loves” the Bad Intense: Intensity and the Death Drive." Sic : časopis za književnost, kulturu i književno prevođenje, vol. 9, no. 2, 2019. https://doi.org/10.15291/SIC/2.9.LC.1

Durić, Dejan and Željka Matijašević. "The Good Intense “Loves” the Bad Intense: Intensity and the Death Drive." Sic : časopis za književnost, kulturu i književno prevođenje 9, no. 2 (2019). https://doi.org/10.15291/SIC/2.9.LC.1

Durić, D. and Matijašević, Ž. (2019) 'The Good Intense “Loves” the Bad Intense: Intensity and the Death Drive', Sic : časopis za književnost, kulturu i književno prevođenje, 9(2). doi: 10.15291/SIC/2.9.LC.1

Durić D, Matijašević Ž. The Good Intense “Loves” the Bad Intense: Intensity and the Death Drive. Sic : časopis za književnost, kulturu i književno prevođenje [Internet]. 2019 [cited 2024 April 23];9(2). doi: 10.15291/SIC/2.9.LC.1

D. Durić and Ž. Matijašević, "The Good Intense “Loves” the Bad Intense: Intensity and the Death Drive", Sic : časopis za književnost, kulturu i književno prevođenje, vol. 9, no. 2, 2019. [Online]. Available at: https://urn.nsk.hr/urn:nbn:hr:186:879105. [Accessed: 23 April 2024]

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Metadata
Title (english)The Good Intense “Loves” the Bad Intense: Intensity and the Death Drive
AuthorDejan Durić
AuthorŽeljka Matijašević
Author's institutionUniversity of Rijeka
Faculty of Humanities and Social Sciences
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Philology
Abstract (english)
The article analyzes the concept of intensity promoted in late capitalism, and its difference from the teleological intensity of the countercultural sixties. Intensity is approached through psychoanalytic lenses as related to Freud’s drive theory, and to Lacan’s concept of jouissance. Counter-depressive intensity persists today devoid of any meaning, as it is a self-legitimating strategy of the most perfect and best conformed capitalist subject. The notion of the culture of intensity covers the natural privileging of late capitalism towards ‘the good intense.’ This paper analyzes its reverse: ‘the bad intense,’ and the tragedy of dysphoria. The movie Shame (2011), directed by Steve McQueen, is interpreted as an example of the transformation of the countercultural value of sexuality in the sixties to its mere reduction to both intense and numbing experience.
Keywords (english)
Languageenglish
Publication typeScientific paper - Original scientific paper
Publication statusPublished
Peer reviewPeer review
Publication versionPublished version
Journal titleSic : časopis za književnost, kulturu i književno prevođenje
Numberingvol. 9, no. 2, p. 0
p-ISSN1847-7755
DOIhttps://doi.org/10.15291/SIC/2.9.LC.1
URN:NBNurn:nbn:hr:186:879105
Publication2019
Document URLhttps://hrcak.srce.hr/221912
Type of resourceText
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2020-05-18 11:20:32