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master's thesis
Dekonstrukcija autorstva u popularnoj glazbi
2015. urn:nbn:hr:186:959063
Bišćan, Emil
University of Rijeka
Faculty of Humanities and Social Sciences
Department of Cultural Studies

Cite this document

Bišćan, E. (2015). Dekonstrukcija autorstva u popularnoj glazbi (Master's thesis). Rijeka: University of Rijeka, Faculty of Humanities and Social Sciences. Retrieved from https://urn.nsk.hr/urn:nbn:hr:186:959063

Bišćan, Emil. "Dekonstrukcija autorstva u popularnoj glazbi." Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, 2015. https://urn.nsk.hr/urn:nbn:hr:186:959063

Bišćan, Emil. "Dekonstrukcija autorstva u popularnoj glazbi." Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, 2015. https://urn.nsk.hr/urn:nbn:hr:186:959063

Bišćan, E. (2015). 'Dekonstrukcija autorstva u popularnoj glazbi', Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, accessed 20 April 2024, https://urn.nsk.hr/urn:nbn:hr:186:959063

Bišćan E. Dekonstrukcija autorstva u popularnoj glazbi [Master's thesis]. Rijeka: University of Rijeka, Faculty of Humanities and Social Sciences; 2015 [cited 2024 April 20] Available at: https://urn.nsk.hr/urn:nbn:hr:186:959063

E. Bišćan, "Dekonstrukcija autorstva u popularnoj glazbi", Master's thesis, University of Rijeka, Faculty of Humanities and Social Sciences, Rijeka, 2015. Available at: https://urn.nsk.hr/urn:nbn:hr:186:959063

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Metadata
TitleDekonstrukcija autorstva u popularnoj glazbi
Title (english)The Deconstruction of Authorship in Popular Music
AuthorEmil Bišćan
MentorDiana Grgurić (mentor)
Committee memberSarah Czerny
Committee memberDiana Grgurić
Committee memberBenedikt Perak
GranterUniversity of Rijeka
Faculty of Humanities and Social Sciences
(Department of Cultural Studies)
Rijeka
Defense date and country2015-09-22, Croatia
Scientific / art field,
discipline and subdiscipline		HUMANISTIC SCIENCES
Ethnology and Anthropology
Ethnology
Abstract
Ovaj diplomski rad bavi se pitanjem autorstva u popularnoj glazbi. Sam pojam autorstva je vrlo problematičan jer se poimanje autorstva kroz povijest mijenjalo i danas se još uvijek mijenja. U ovom rad su prikazana poimanja autorstva iz nekoliko različitih perspektiva, kao što su umjetnička, povijesna, pravna, industrijska i tehnološka. Sve ove perspektive su razmatrane u korelaciji sa autorstvom u popularnoj glazbi. U povijesnoj perspektivi objašnjeno je kako se poimanje autora mijenjalo kroz povijest, kako bi se ta poimanja mogla dovesti u odnos sa problematikom autorstva u popularnoj glazbi danas. U centralnom djelu ovog rada prikazano je poimanje autorstva unutar popularne glazbe kroz sociološku i glazbeno umjetničku perspektivu. U pravnoj perspektivi je objašnjeno kako su kreirani zakoni o autorskim pravima i kakav utjecaj imaju na kreativne prakse u popularnoj glazbi. Popularna glazba je danas dio sektora kreativnih industrija i proizvodi proizvode, uglavnom, za zabavu. U ovom radu je pojašnjeno što su to kreativne industrije i koja je pozicija autora glazbe unutar industrije. Najveći utjecaj na popularnu glazbu i autorstvo ima razvoj tehnologije te je u ovom radu pojašnjeno kako tehnologija utječe na kreativne autorske prakse i do kakvih je bitnih promjena u popularnoj glazbi došlo upravo radi razvoja tehnologije.
Abstract (english)
This thesis deals with the question of authorship in popular music. The notion of authorship is very problematic because the comprehension of authorship through history changed and is still changing today. This work shows the comprehension of authorship from several different perspectives, such as artistic, historical, legal, industrial and technological. All of these perspectives are considered in correlation with authorship in popular music. From the historical perspective it is explained how the comprehension of the author has changed throughout history, so it could be compared with the problems of authorship in popular music today. The central part shows the comprehension of authorship in popular music through the sociological, musical and artistic perspective. The legal perspective explains the creation of copyright laws and the impact they had on the creative practices in popular music. Popular music is now part of the creative industry sector and manufactures products mainly for entertainment. This thesis clarifies what exactly creative industries are and what is the position of musical authors within the industry. The greatest impact on development of popular music and authorship had the development of technology and this thesis explains how technology affected the author's creativity and what important changes did the development of technology bring in popular music.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:186:959063
Study programmeTitle: Cultural Studies ; specializations in: Cultural Studies of South East Europe Module , Mediology Module, General Modul , Media Studies and Popular Culture Module , Interdisciplinary Theories of Culture Module
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra kulturologije (magistar/magistra kulturologije)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2016-02-26 11:28:16