This paper analyses society, women’s sexuality and reproductivity as well as relations between classes in a dystopian world Republic of Gilead created by Margaret Atwood in her novel Handmaid’s tale. Atwood represent Republic of Gilead as repressive tool that controls emotions of their own citizens. After analysis of Plato’s class division on the society of Gilead it is concluded that classes cannot adhere to the emotions granted by the state. Furthermore, it is concluded that state cannot condition their own citizens to give up basic emotions and feel only what is considered appropriate by the state. In a Republic of Gilead woman’s sexuality is comprehend only by it’s reproductive role because it’s the only role Gilead assigns to woman’s sexuality. Also, this paper includes notions of love, marriage, adultery, prostitution and rape as well as analysis of the contemporary theorist such as Igor Primorac, Roger Scruton, Thomas Mappes and Alison Jagger. In the end, relations between classes of Republic of Gilead are being analyzed and the problematization of the state that tries to control emotions of its own citizens and their (dis)respect of the certain emotions is being continued. Analysis of the relations between classes shows states incapability of controlling emotions of their own citizens.