@mastersthesis{ffri:4070,
	author = {{Božić, Lara}},
	title = {{Postfeminism and Sally Potter's Orlando}},
}
@mastersthesis{ffri:4003,
	author = {{Lesjak, Paula}},
	title = {{Language and Power in Brian Friel's Translations}},
}
@mastersthesis{ffri:3754,
	author = {{Dizdar, Doris}},
	title = {{Reading the Relationship in Sally Rooney's Conversations with Friends (2017.) trough the Lens of (Post-) Celtic Tiger Ireland}},
}
@mastersthesis{ffri:3251,
	author = {{Franković, Bernarda}},
	title = {{Getting Away? Migration and Emancipation in Colm Tóibín's Brooklyn (2009)}},
}
@mastersthesis{ffri:2982,
	author = {{Komar, Karla-Tea}},
	title = {{Postmodern Narrative Strategies in Todd Haynes's Biopic I'm Not There}},
}
@mastersthesis{ffri:2761,
	author = {{Rupčić, Ema}},
	title = {{The Economy of Sex, Gender and Love in Sally Rooney's Novels}},
}
@mastersthesis{ffri:2783,
	author = {{Jazvac, Mia}},
	title = {{Frank McGuinness, Michael Longley and the Reimagining of Northern Irish Unionist Particiaption in World War I}},
}
@mastersthesis{ffri:2781,
	author = {{Strmić, Katarina}},
	title = {{Socialism and Gender Relations in Oscar Wilde's the Importance of Being Earnest (1895), and a Comparison with George Bernard Shaw's Mrs Warren's Profession (1893/1902)}},
}
@mastersthesis{ffri:2827,
	author = {{Milković, Natalija}},
	title = {{Misreading One's Place in Kazuo Ishiguro's the Remains of the Day (1989)}},
}
@mastersthesis{ffri:2933,
	author = {{Božić, Lara}},
	title = {{Unmotherly Figures in the Drama of Marina Carr}},
}
@mastersthesis{ffri:2581,
	author = {{Belić, Dalen}},
	title = {{An Analysis of Emigration and Religion in Martin McDonagh's Leenane Trilogy}},
}
@mastersthesis{ffri:2570,
	author = {{Peloza, Sara}},
	title = {{Apollonian and Dionysian Traits in James Joyce's a Portrait of the Artist as a Young Man}},
}
@mastersthesis{ffri:2578,
	author = {{Karlić, Hanny}},
	title = {{Martin McDonagh and the Possibility of Cathharsis}},
}
@mastersthesis{ffri:2383,
	author = {{Čakarević Kršul, Ivan Vid}},
	title = {{The Conscious and Unconscious Formation of Leopold Bloom's Identity in James Joyce's Ulysses}},
}
@mastersthesis{ffri:2018,
	author = {{Štefanac, Manuela}},
	title = {{Analysis of the Dynamics of Hospitality and Hostility in Hugo Hamiltons' Novel "Hand in the Fire" (2010)}},
}
@mastersthesis{ffri:2017,
	author = {{Padjen, Vana}},
	title = {{Disturbing Roots: Land and the Shift from the Personal to the Political in Seamus Heaney's First Four Poetry Collections, 1966-1975}},
}
@mastersthesis{ffri:2053,
	author = {{Vuković, Veljko}},
	title = {{The Relationship between Wilde and Nietzsche's Literary Philosophy: When Morality and Aesthetics Collide}},
}
@mastersthesis{ffri:1421,
	author = {{Peruč, Paola}},
	title = {{Body and Mind in Yeat's Later Poetry}},
}
@mastersthesis{ffri:1423,
	author = {{Rupčić, Ema}},
	title = {{Visions of Ireland in W. B. Yeats's Early Works}},
}
@mastersthesis{ffri:1465,
	author = {{Štefanić, Irina}},
	title = {{The Case of Elizabeth Bennet: Challenging the Notion of an Agreeable Woman in Modern Adaptations of Pride and Prejudice}},
}
@mastersthesis{ffri:1457,
	author = {{Žufić, Ivan}},
	title = {{Famine, Emigration and Survival in Joseph O'Connor's Star of the Sea}},
}
@mastersthesis{ffri:1454,
	author = {{Elkasović, Selma}},
	title = {{The Notions of House and Home in Donal Ryan's the Spinning Heart and the Thing about December}},
}
@mastersthesis{ffri:385,
	author = {{Štefanić, Irina}},
	title = {{"More English than the English": Cultural Translation and Hybridity in Zadie Smith's White Teeth}},
}