| Abstract (croatian) | Na središnjem oltaru crkve Rođenja Blažene Djevice Marije u Loparu na otoku Rabu nalazi se drveni rezbareni i polikromirani reljef s prikazom majke i djeteta, koji se na osnovi svojih likovnostilskih karakteristika ubraja među rijetke drvene romaničke skulpture ranog 14. stoljeća sačuvane na istočnoj obali Jadrana. U ovom se radu rezbareni reljef Majke s Djetetom, ikonografski u dosadašnjoj literaturi definiran kao prikaz sv. Ane s malom Gospom, interpretira u kontekstu hagioloških istraživanja marijanskih pobožnosti srednjega i ranoga novog vijeka u Rapskoj biskupiji. Pritom se nastoji utvrditi historijat i varijante titulara zavjetne crkve u Loparu, ali i istoimenih kapela drugdje na otoku. Na temelju arhivskih izvora u radu se nastoji rekonstruirati specifičan razvoj te oblici marijanskih pobožnosti u Rapskoj biskupiji kao i njihova povezanost s ostalim ritualnim praksama rapske zajednice, u prvom redu s Gospinim procesijama i memorabilijama. |
| Abstract (english) | On the central altar in the Church of the Nativity of the Blessed Virgin Mary in Lopar, on the island of Rab, there is a woodcarving and polychromatic relief representing a mother and child. Based on its artistic and stylistic characteristics, this relief is considered a rare example of wooden sculpture from the beginning of the fourteenth century. Although this relief depicts the Virgin Mary with a child, which can be corroborated by the attribute of an apple in the left hand of the child, accompanied by the blessing of the right hand, the previous iconographic interpretation was heavily influenced by context. Namely, during the nineteenth century in Lopar, the feast of the Nativity of Mary (September 8) was closely associated with the worship of Our Lady's votive icon, and many believers gave many votive gifts - especially scarves and models of ships. Such a situation certainly contributed to the preservation of this work of art, as it was regularly revalued, preserved and preserved, but at the same time the icon is attributed to the depiction of St Anne with the Little Lady. Nevertheless, the research of the icon and the context of its origin, as well as its iconography, led us to the need for further research of the Lopar church and its name, compared to the development of public Marian devotion in the Diocese of Rab during the Middle Ages and early modern times. The investigation showed that the new cult of Our Lady of Lopar strongly influenced and caused a change in the original name of the medieval Franciscan Church of St Mary Magdalene. Moreover, this change affected collective piety and the formation of a new ritual towards a new cult. Furthermore, based on archival sources, the authors tried to reconstruct the specific development and forms of Marian devotion in the Diocese of Rab: processions with the ritual transfer of the icon of Our Lady of Lopar or the Miraculous Lady, local narratives of the events that preceded the worship of miraculous icons, as well as other ritual customs within the Rab community. |
